Sep
11
6:00 PM18:00

Introduction to Meditation at the GRAM

Introduction to Meditation with Art at the GRAM

Art and Meditation at the GRAM  

 A new series of monthly sessions that offer an introduction to meditation practices, combined with new ways of looking at art.  Enhance your well-being and nourish your eyes, mind, and heart.   

 Meditation and arts engagement have a special relationship.  Science shows us that meditation practice can reduce stress, develop focus, help us feel calmer, and increase our sense of well-being.   Science also shows us similar results for health and well being with arts engagement.  Together, these practices have superpowers. In this series, experienced meditation teachers, who are also artists, combine meditation instruction with art engagement, with the goals to improve health, well being, and happiness. 


Session I

Creative Awareness Practice

Wed, September 11

With Jill Eggers

A unique introduction to meditation, what it is, and how it can enrich our lives.  This session also will introduce a new way of looking deeply at art.   We will familiarize ourselves with comfortable sitting on meditation cushions, (or on chairs), and in a guided meditation, find the still point within, bringing body and mind together.  Then, engaging with art in the GRAM collection, we will look deeply into our experiences with a work of art.   We’ll conclude with a discussion of our experiences, and some ways to build on these practices in your own life.  Please see GRAM website to register for this class.

https://www.artmuseumgr.org/events/the-art-of-meditation-creative-awareness-practice


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Sep
21
10:00 AM10:00

Introduction to Dharma Art

Introduction to Dharma Art

Introduction to Dharma Art

NOTE: This class is offered, with slight variations, in both July and September. Free free to take one or both if you like.

Dharma art is a way of exploring awareness through creativity. In studying art and awareness, we are studying something fundamental—the nature of self and reality. This workshop is an introduction to creative practice and meditative awareness, for anyone who wishes to develop their creative potential, or their Buddhist practice in new ways.

In this class, you will not be learning a specific art skill or practice, and no skill or art experience is required.   You will not learn how to ‘do’ any specific art thing at all.  Rather, we will turn our attention toward the creative process itself, and dropping all goals and ideas about what art is or how to ‘be’ an artist, we will practice opening our awareness to that silent and wide space that is the creative source— and begin to act, make, and express, from that place.   Join us for this playful exploration of meditation and creativity.

Art materials provided. Dress for comfort and a little messiness. Bring your lunch for a mid day break.

“One way that our spiritual power begins to manifest is through the emergence of the intuitive aspect of our consciousness. This is one of the reasons why Zen and creativity are so intimately linked. Creativity is…an expression of our intuitive aspect.  Getting in touch with our intuition helps us to enter the flow of life, of a universe that is in a constant state of becoming.  When we tap into our intuition, whether in our art or simply in the day to day activities of our lives, we feel a part of this creative continuum.…Single pointed concentration develops our intuition. We becomes more directly aware of the world. We notice in ways that are not clearly understood, but are very accurate.” ~John Daido Loori, The Zen of Creativity

To register, or if you have questions, email Lianghua Su Jill Eggers at: jilleggers9@gmail.com, with any questions, or to register. $15 suggested donation helps support the Dharma Studio and pay for supplies. Class size is limited so please register to hold a place!



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Oct
9
6:00 PM18:00

Introduction to Meditation, Session II at the GRAM

Meditation at the GRAM, Session II

Session II

Flourishing with Meditation

Wed, October 9

With Jill Eggers

Taking a somewhat deeper dive into the nature and practice of meditation, we will look at what it is how it can improve our lives, emotions, and health, and at some of the different types of meditation.  We will practice some guided meditations, and introduce the Six Week Challenge, for those who want to bring the practice of meditation into their daily lives.   

Register for this session through the Grand Rapid Art Museum. Link will be added when registration for this sessions opens.

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Oct
13
to Apr 21

Art in Therapeutic Practice at the GRAM (through GVSU)

  • Grand Rapids Art Museum (map)
  • Google Calendar ICS

Art in Therapeutic Practice

This series of fall and winter workshops is not directly related to the Dharma Studio, but may be of cross-interest to some Dharma Studio or GRAM meditation class participants. Art Therapy workshops for therapists and social workers, or anyone wanting to learn some ways to introduce art as tools in their therapy practice. These workshops are offered through Grand Valley State University for continuing education credit for social workers, but can be taken by anyone who practices in the field. See this page soon for registration details. Team taught by artist and art educator and Dharma Studio Buddhist teacher Jill Eggers, and Expressive Art therapist Steven Edelman.

Art Sessions

for Continuing Education Credit

Jill Eggers and Steven Edelman

“We suspended time, we isolated space, there remained only the play of glue, scissors, paper, paint: the play of shared creation.”  ~Elena Ferrante, The Story of a New Name

 This is a series of four sessions for social workers and other human service professionals who seek ways to engage the power of arts learning in therapeutic practice.   These sessions examine motivations and reasons for engaging art practices in the therapy setting, and its power and potential.  From opening doors to new ways of looking, to opening to the subconscious, and learning how different art materials can serve your practice, this sequence of courses will provide you with the knowledge, means, and insights to incorporate art into the therapeutic setting in meaningful ways.   No art experience or skills are required—we cannot stress this enough. 

 Each session builds on the previous one, but they can also be taken independently.   Taking all four sessions will provide the fullest foundation for incorporating art therapy methods and techniques in your professional or personal art therapy practice. 

Taught by seasoned artist and art educator Jill Eggers, and Expressive Art Therapist Steven Edelman.  All sessions are limited in size to support group dialogue, individual attention, and hands on learning.

Session I

3 hours, Nov date TBD

Grand Rapids Art Museum

Meanings and Metaphors

Jill Eggers

This session is an introduction to ways we can look at and relate with art in the therapeutic process.  Art can bring vitality and meaning to our practice, for ourselves as therapists, and for our clients.  This session introduces some methods of art viewing relevant to the  therapeutic context: using art to elicit stories, projections, and associations, and encourage dialogue in open, non-judgmental ways.    Learn the practice of Visual Thinking Strategies™, practice a guided meditation on looking, and work in partner pairs in metaphoric exploration with art works.

 Bring: a journal and pencil (no pens allowed in the museum); dress comfortably. 

Session II

3 hours, Dec date TDB

Location: Grand Rapids Art Museum 

Steven Edelman and Jill Eggers

 Aspects of Making: Materials and Techniques of Art Therapy

Different art media contain different therapeutic potentials for emotional and behavioral expression, communication, and exploration, based upon their sensory aspects.  Learning and experiencing these potentials will prepare participants to make effective therapeutic choices based upon their clients’ treatment needs and goals.
In this session, we will explore the sensory aspects of visual art media, relative to their potential in various therapeutic contexts.  Working in the beautiful GRAM art studio, participants  will play with and develop familiarity with a wide variety of artist media, in a relaxed, stress free context.  Exploration of impacts of media choices, scale, material aspects on expressive potential;  examination of “skillful means”—making appropriate and sensitive choices of materials and methods for different individual and groups.  No art experience or background necessary.

 Session III
Storymaking, Improv, and Visual Image Making

3 hours, Jan date TBD

Location: Grand Rapids Art Museum

Steven Edelman and Jill Eggers

 This session addresses skills in

·      Collaborative therapeutic approaches

·      Accessing and integrating aspects of the subconscious

·      Cultivation of empathy for self and others

·      Empowerment and actualization in creativity

·      Therapeutic attunement

 Working with paintings in the GRAM museum exhibitions, we will generate fairy tales from paintings, and do some improvisational imagining with the characters in the art.  Following this we will move to the GRAM art studio and create individually, collectively, and playfully, with the ideas we have generated, bringing it all together with a group discussion of therapeutic applications.  No art background or experience required.

 Session IV

3 hours, Feb date TBD

Grand Rapids Art Museum

Steven Edelman and Jill Eggers

Struggle and Joy: Using Art to Transform.

How can art practices truly transform us, and bring motivation and presence alive, for us and our clients?  This session explores use of art to transform through narrative.  Subtly beginning to bring things into the therapeutic session that are story or narrative based can help make struggle meaningful.  Engaging with Jungian notions of archetypes, myth, and journey, we will explore through art making and discussion.  This session will engage with art in the galleries as well as art making in the GRAM art studio. 

Bring: notebook or sketchbook.  Dress comfortably.  All art materials provided.  No art experience or background required!

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Nov
13
6:00 PM18:00

Sound Meditation at the GRAM

Sound Meditation at the GRAM led by Susanne Werblow

Sound Meditation

Wed, November 13, 6:00-7:30 pm

Led by Susanne Werblow. This the third in the fall series of Art and Meditation sessions developed by Dharma Studio teacher Jill Eggers.

Most of us have been moved by music, entranced by rhythm and touched by sound. This session will introduce you to sound as meditation. We will explore different techniques to open our awareness to what’s happening inside using sound, and discern how different tones trigger different sensations, images and emotions.  You will experience a gong “bath”, singing bowls and our own voices joined in chanting, to experience the effects of sound as a meditative practice.  We’ll then turn towards the GRAM art collection, finding paintings that reflect your sound experiences, and listen to the art as we listened to ourselves. We’ll also discuss the science behind why sound, music and singing can enhance your wellbeing and even trigger experiences of awe across cultures. Bring your sense of daring to this session!

Note that this event is at the Grand Rapids Art Museum. Registration is through their site. A link will be provided here when registration opens.

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Dec
7
10:00 AM10:00

Opening the Eye Mind

Opening the Eye Mind

Saturday date to be determined

With Kyoun Sokuzan, Abbot of the Sokukoji Buddhist Temple Monastery

 This special addition to the Art and Meditation series at the GRAM introduces a teaching on art and meditative awareness, developed by Kyoun Sokuzan, Buddhist priest and founding teacher of Sokukoji Buddhist Temple Monastery. Sokuzan teaches this practice in museums worldwide, and comes to the GRAM on the heels of a recent session at the Museum of Modern Art in New York, and other East Coast museums. 

 Look back here and on the GRAM site soon as we have not yet set a date for this event!

“As artists or observers, when we come into a museum or gallery of paintings, sculpture, visual displays, or other creations of artists who have made and put together images and objects, we are often not really open to what is there.  Instead, we lug our preconceptions, opinions, and other conceptual biases with us.  Of course, some of our ideas, our training as artists, our point of view can be valuable.  But when they take the place of, or get in the way of, direct perception—the visual experience itself—then our world is compromised, and we miss the incredible power, force, emotions, and even delicacy of this visual dimension.

 “Opening the Eye Mind practices guide the artist/observer in seeing for oneself what visual experience and relationships are made of from a subjective viewpoint.  With that, these practices can bring freedom to create new forms and images without the constraint of preconceptions or fear of failure and to hold a new perspective on what it is to learn from—and trust in—one’s own perceptions.  These exercises can aid in minimizing old ego-driven modes of accomplishment that depend on outside approval and the need to be “right” as well as beginning to have unconditional confidence in oneself and others.  Although these practices focus on the visual awareness, then ban also be applied to any of the senses, including thinking).”

~Kyoun Sokuzan

 

 

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Aug
17
10:00 AM10:00

Creative Feedback Art Meditation

Creative Feedback/Art Meditation session

How do we look at art with a mind free of concepts and ideas? How do we look to see? This session begins in a still point guided meditation, and turns into an experience of looking. Looking without judgement or preconception, we connect intimately with the visual experience. This practice is a good tool for developing skills in empathy and communication, as well as a powerful practice for developing community with and giving feedback to other artists or Dharma Art practitioners.

To register, or with any questions, please email Lianghua Su Jill Eggers at jilleggers9@gmail.com. Suggested donation $10 in support of the Dharma Studio.

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Jul
27
10:00 AM10:00

Intro to Dharma Art

Introduction to Dharma Art  

An introduction, or for some, a re-introduction to Dharma Art. What is this creative practice about, and how is it linked to Buddhist practice?

Tibetan Buddhist teacher Chogyam Trungpa taught that art is powerful and sacred, that genuine art has the power to awaken and liberate. He called this type of art "dharma art"—any creative work that springs from an awakened state of mind, characterized by directness, unselfconsciousness, and nonaggression. Dharma art provides a vehicle to appreciate the nature of things as they are and express it without any struggle or desire to achieve. A work of dharma art brings out the goodness and dignity of the situation it reflects—dignity that comes from the artist’s interest in the details of life and sense of appreciation for experience. Trungpa shows how the principles of dharma art extend to everyday life: any activity can provide an opportunity to relax and open our senses to the phenomenal world. 

Please join us Saturday for an introduction to Dharma Art Practice. Guided meditation and art practice, no artistic skill required. All materials and supplies provided. Bring your lunch, and dress comfortably for meditation and working with potentially messy art materials. Suggested donation $20. Class size is limited, so please register in advance by emailing Lianghua Su at jilleggers9@gmail.com.

 


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Mar
25
9:00 AM09:00

Mind, Awareness, Consciousness, Mindfulness

To study Buddhism is to study the mind. An ancient Buddhist master said, “to study the self is to study the mind.” Everything begins with the  mind. What is mind and how to we come to know it? In this half day session we will explore the nature of mind, what is awareness, what is consciousness, and how to practice mindfulness. We will explore these four fundamental concepts from the Buddhist point of view together with scientific and psychological approaches. No prior knowledge of Buddhism is required, although it might be helpful.  This teaching session is open to anyone who wants to know how the mind influences what we do and how we do it. The session include teachings and individual and group activities.

Guest teacher Ven. Deok Wun (Russ Pitts) is visiting from New York to teach this half day class. Class is limited to 15 participants.

Please email Jill Eggers at jilleggers9@gmail.com to register. There is a suggested donation of $20 for this class. All donations go in support of the Dharma Studio; no teacher takes any pay for teachings.

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Buddhist Art Retreat: The Emotions as Path
Mar
2
to Mar 5

Buddhist Art Retreat: The Emotions as Path

PLANNING AHEAD: EARLY REGISTRATION OPEN NOW!

What does it mean to be utterly emotionally alive?  In Tibetan Buddhist traditions, the emotions are embraced as a rich and profound opportunity for awakening.  Through art making, meditation, and teachings, we will explore the power of emotions on the Buddhist path, to open to our full human experience, and our naturally powerful capacity for compassion.  We will learn to “dance in the vastness of the open dimension of experience.*. Join us in Oxbows’ beautiful quiet forest on the lagoon and Lake Michigan.  

Art Practices are approaches to creativity that are non conceptual and grounded in meditation and awareness practice.  This retreat will mostly be centered around visual art, but can be adapted to other art/creative forms as well; writers, musicians, etc., are encouraged to join and engage their own artistic forms within this retreat.  No artistic experience or skills required; these practices are accessible to anyone from complete novice to the experienced artist.    Materials and supplies will be provided.

The retreat schedule will include early rising, meditation periods early and throughout the day, teachings, and art making. Accommodations include private and shared rooms, and vegetarian meals in the big lodge dining hall.  All participants will be expected to engage in some light caretaking/service activities daily.   

Cost for each person will be $425.  All costs go to pay expenses for the rental of Oxbow; the teachers of this retreat receive no pay.  Exact costs will be available a few months before the retreat.  

Registration:  Pre-registration is accepted at this time.  There is no financial commitment to pre-register. Pre register by emailing Jill Eggers at jilleggers9@gmail.com.  Preregistration will reserve your space in the retreat, or your place on the waiting list, once the retreat fills up.  The Oxbow Buddhist Art Retreats tend to fill quickly, so please be in touch if you wish to reserve a place.  

Retreat Teacher:

This retreat will be taught by Ven Lianghua Su Jill Eggers.

*Ngakpa Chogyam, Spectrum of Ecstasy

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Jan
21
10:00 AM10:00

Emotions as Path: Dharma Art Practice, Session II


Saturday, January 21

10:00 am to 3:00 pm

This is the second session of working with our emotions as a path to the enlightened nature of mind. We will revisit some of the material of the earlier session and will take our understanding and practice a bit further, exploring relations between the emotions and the elements, colors, and the Five Buddha Families. Class will include meditation and art practice.  All materials and supplies are provided. No art background or experience required. Participation in prior Dharma Art classes is helpful but not required.

Suggested donation of $30 for the class. Class size is limited to 14 participants. Register by emailing jilleggers9@gmail.com.

 

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Nov
5
10:00 AM10:00

Emotions as Path Dharma Art Practice, Session I

Emotions as Path

Dharma Art Practice, Session I

How does it feel to be utterly emotionally alive? This is the first class in a series that begins to look at how our emotions— the very tenderness, messiness, and complexity of our feelings—are a doorway to our enlightened nature. In this introductory workshop, we will look at the Five Buddhist Wisdom Emotions, and identify some of the emotion patterns that come up in our own lives. We will play with these experiences in art making. (This class will make the most sense to you if you have taken the Introduction to Dharma Art, but that is not required.). All materials provided, no art background or experience required.

Details:  Suggested donation of $20 for the class.    Bring your lunch for a mid session lunch break.  Dress comfortably for sitting on the floor and getting messy. 

 

 

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Oct
8
10:00 AM10:00

Creative Feedback Session

Creative Feedback Session

Saturday, October 8

10:00-12:00

How can we really see what is before us?   How can we train ourselves to look without judgement, but rather with curiosity and awareness?  We will engage in a guided meditation in looking and responding to art with an open eye and mind.   This practice has implications for our Buddhist practice and our daily lives as well as our creativity.  Participants are invited to bring art they have made since the last session (or at another time), to use in this practice.   This practice is especially geared to anyone who wishes to use creative practice as a way to discover their true nature. 

 

Suggested donation of $10 for this class. 

 

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Sep
24
10:00 AM10:00

Introduction to Dharma Art

Introduction to Dharma Art

Saturday, Sept 24. 10:00 am until 2:00 pm. 

Art Practice, or Dharma Art, is a means of connecting to natural creativity through Buddhist awareness practices.  In this class we will practice art making and meditation, and look at the relationships between them.  How do we open to our natural creativity?  How does the practice of meditation facilitate this?  How do these practices impact our daily lives?  This class is for those who want to develop their innate creativity, free artistic blocks or fears, and deepen their meditation practice.  No art experience or skill required. The session will conclude with a creative challenge for you to take into your home practice, and an invitation to bring your work back for the next class in the series, a session in Creative Feedback.

 All materials and supplies are provided.  Suggested donation of $20 for the class.  We will take a lunch break in the middle and ask that you bring your lunch.

 “Imagination relies on empty perception. Painting relies on empty planes. Sculpture relies on empty space. Music relies on empty time. Literature relies on empty concepts. If we are to realize the art of freedom, if we are to discover our creative potential, we need to rely on the experience of our intrinsic vibrant emptiness—the beginningless ground of what we are.” —-Ngakppa Chogyam, Roaring Silence

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Aug
13
9:00 AM09:00

This year at the Dharma Studio

What does it mean to be utterly emotionally alive?  The theme for the upcoming practice year in the Dharma Studio is “Emotions as Path”. In Tibetan Buddhist traditions, the emotions are embraced as a rich and profound opportunity for awakening.  They are the very rich ground that invite us to grow and develop in understanding our own enlightened nature.  This fall and winter we will work with these ideas, culminating in a four day retreat in March.  Through art making, meditation, and teachings, in the coming practice year we will explore the power of emotions on the Buddhist path, to open to our full human experience, and our naturally powerful capacity for compassion.  We will learn to “dance in the vastness of the open dimension of experience.”*.

Each class in the schedule can be taken as a stand-alone class—you can jump in to any of them and be able to connect to some value in the practice.  But they also interrelate and build on one another, so they will be more meaningful if taken as a series.  For those who plan to attend the Oxbow retreat in March, these classes will provide depth and background that will deepen the retreat experience.  I strongly recommend participation in 1-2 workshops prior to the retreat. 

 In addition to the classes listed on the site, there will regular postings of related readings, art practice challenges, and journal prompts, to sustain and deepen your practice in between sessions.  These will be posted on the Dharmastudio.org website, as well as the Unadorned Lotus Dharma Studio Facebook page.   

Registration and other details:
To register for any class, workshop, or retreat, please email jilleggers9@gmail.com.  Preregistration is accepted at this time for all of the classes below.  (Pre-registration holds your space; a few weeks before each session you will be asked to confirm or pass your space on to another person on the waiting list.). There is a suggested donation for each class, payable at the start of each class unless otherwise specified.  (The retreat will require a deposit in January.)  If money is tight please ask; don’t let finances prevent you from attending classes.

·      All proceeds go in support of the Dharma Studio; the teachers at the Dharma Studio receive no pay for their teaching. 

·      All Dharma Studio classes are limited to 14 participants. 

·      All participants are required to be fully vaccinated and boosted.  Current COVID recommendations for health and safety will be followed. 

 

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Opening the Mind Eye: A Dharmic Approach to Art.  June 18, 2022
Jun
18
1:00 PM13:00

Opening the Mind Eye: A Dharmic Approach to Art. June 18, 2022

UPDATE: This retreat is now full. If you would like to be on the wait list, please email jilleggers9@gmail.com.

When we come into a museum or gallery space we are often not really open to what is there. When our preconceptions and opinions get in the way of direct perception our world is compromised and we miss the incredible power and delicacy of this visual dimension that is arising in front of us moment by moment.

Through group practice, open interviews with the teacher, and rousing exercises that ask us to investigate our conceptual compartmentalization of our sense-consciousnesses, we can cut through our tendency to pre-judge what is right under our noses and see, even participate in, the creation itself.

This program is ideal for artists who feel stuck, unstuck artists who wonder what’s next, and for “non-artists” who yearn to express themselves creatively. Participants are also heartily encouraged to share their work with the group whatever the medium or discipline.

Teacher: Kyoun Sokuzan, Abbot of Sokukoji Buddhist Temple Monastery, from Battle Creek, MI, brings to the Dharma Studio a one day workshop that he teaches regularly the NYC Shambala Meditation Center and the New York Metropolitan Museum of Art. Closely linked to the Dharma Studio art practices, this workshop invites one to practice bare awareness in relating with visual art. Time to be announced. Please contact the Dharma Studio with any questions.

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Jun
4
9:00 AM09:00

Buddhism Beyond the Basics: Retreat and Teaching series, Day Retreat II

The Dharma Studio is offering a series of workshops/retreats, taught by Buddhist monk Deok Wun, who will be traveling from New York to lead these retreats. This series of teachings is an opportunity to begin or refresh your practice, and familiarize yourself with the foundational teachings and the underlying view of reality that drives them.

Cost for the series is $60. To register, please contact Ven Lianghua Su Jill Eggers at jilleggers9@gmail.com. Registration is limited to 15 participants. (UPDATE: This retreat series is full.)

BEYOND THE BASICS: Once you are acquainted with the Basics of Buddhism—the Four Noble Truths, Noble Eightfold Path, Impermanence, Suffering) it is time to encounter the next level of Buddhist Teachings.  These teachings point us towards the truth of reality.  This series of one-day retreats will revisit the foundational Buddhist teachings and focus specifically on those teachings that demonstrate the Buddhist view of reality.  Topics to be covered are: Buddhist view of personhood and personality (no-self and the skandhas), Interdependence, Dependent Origination, Karma, and Merit.

This is a series of two events: a three-day retreat in March, followed by a day long session June 4. In between the retreat sessions there will be individual contact with the teacher on topics related to what was discussed in the prior retreat.

RETREAT I: March 11, 12, and 13

Overview of the Program. The Basics: Four Noble Truths, The Eightfold Path, The Three Universal Truths. The Universal Truth of Suffering. Introduction to Mind: The Obstructive States of Mind; the Eight Winds.

The Universal Truth regarding ‘self’; the Six Sense Gates; the Five Skandhas.

RETREAT 3: Saturday, June 4, 9am to 4 pm

The Universal Truth of Impermanence; Dependent Origination; Putting it all Together

Retreat teacher: The Venerable Deokwun is an ordained Bhikkhu (Buddhist Monk) in the Korean Zen Tradition. He has also trained in the Tibetan Dzogchen practice. He is the founding teacher of the Grand Rapids Buddhist Temple and Zen Center. In addition, he is a certified Enneagram teacher. Prior to becoming a monk he was a college professor, high school teacher, lawyer, and Naval Officer. He holds degrees from Bodang University (Thailand) in Buddhist studies, Rowan University (New Jersey) and the Marshall-Wythe School of Law of the College of William and Mary (Virginia). He is the author of two books on Buddhist subjects: Is it Buddhism---12 Questions Every Seeker Should Ask; and The Circle of Wonder: Reflections on The Silent Illumination. He is one of only a handful of Western monks to receive the highest level of ordination in the Korean Zen tradition. His primary area of focus as a teacher is making the teachings of the Buddha accessible and relevant to our everyday lives with an emphasis on mindfulness, compassionate living, selfless giving.

Program Description:

There are three universal truths in Buddhism: there is no such thing as a permanent self, everything is in a constant state of change and impermanent, and we suffer because we fail to take into account the first two universal truths. Each of these universal truths has specific teachings associated with them. In this series of retreats and teachings we will explore each of these truths and examine how they impact our daily lives.

The truth of self asks us to understand that, while there is a relative, impermanent self, no single thing has any permanent existence that we call a self. To appreciate this truth, we must come to an understanding of how this notion of a permanent self arises. How does it give ground to the ego? When we understand this truth, then how does it affect what we think, feel, and do? As we explore this first truth we will consider the ayatanas---the six sense gates through which all of our experiences pass.  Appreciating how the six sense gates are passed through, we can appreciate that what we call self is nothing more than ego. We will explore the process of how the relative self emerges through the Five Skandhas.

The ego is driven by illusion because the ego itself is an illusion. The ego grasps at the things that pleases it and rejects those it doesn’t. It craves. It judges. What it grasps for, clings to, rejects are those things and experiences it wants to gather to itself and hold on to forever. The ego fights against all notions of impermanence. Yet. It always seems to win. Once of Buddhism’s most difficult teachings is that of Dependent Origination. This teaching explains in detail how everything of ever nature is always in transition. It is always rising and passing away. No thing lats more than a fraction of a second before it changes. We will explore Dependent Origination and consider how taking this teaching to heart may affect how we think, feel, and act.

The third universal truth is that of suffering: it affects us all, it has distinct causes, yet there is a way to alleviate it. This teaching asks us to examine the Four Noble Truths and the Eightfold Path. The Four Noble truths set out the general teachings on suffering. The Eightfold Path is a prescription for the alleviation of suffering.  However, before one can fully understand this teaching one must have come to terms with the first two universal truths: self and impermanence. They are the ground from which suffering springs.

Over the course of the three retreats, we will examine each of these universal truths, how they affect us, and what we can do to incorporate them into our daily lives. The retreats will be a combination of teachings, meditations, discussions, meetings with the teacher. This is not a solitary retreat but a group retreat where each participant will be asked to contribute their own insights and observations. While prior knowledge of these truths is helpful, it is not required.

 

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Introduction to Dharma Art
Jun
27
10:00 AM10:00

Introduction to Dharma Art

An introduction, or ‘re-introduction’ to Dharma Art. What is this creative practice about, and how is it linked to Buddhist practice?

Tibetan Buddhist teacher Chogyam Trungpa taught that art is powerful and sacred, that genuine art has the power to awaken and liberate. He called this type of art "dharma art"—any creative work that springs from an awakened state of mind, characterized by directness, unselfconsciousness, and nonaggression. Dharma art provides a vehicle to appreciate the nature of things as they are and express it without any struggle or desire to achieve. A work of dharma art brings out the goodness and dignity of the situation it reflects—dignity that comes from the artist’s interest in the details of life and sense of appreciation for experience. Trungpa shows how the principles of dharma art extend to everyday life: any activity can provide an opportunity to relax and open our senses to the phenomenal world. 

Please join us Saturday for an introduction to Dharma Art Practice! Guided meditation and art practice, no artistic skill required. All materials and supplies provided. Bring your lunch, and dress comfortably for meditation and working with potentially messy art materials. Suggested donation $20. Due to social distancing observance, class size is limited, so please register in advance by emailing Lianghua Su at jilleggers9@gmail.com.

 

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Jun
20
9:00 AM09:00

Morning of Meditation

Morning of Meditation

A morning of meditation practices geared to reconnecting us with our sitting practice and compassion.

9:00-9:50: : Body meditation. A deeply grounding, settling guided meditation, to bring us back to ourselves, our immediate awareness, our body.

10:00-11:50 : Some simple instruction in sitting meditation. A sitting meditation, a short break, and then an introduction to Tonglen meditation, or ‘sending and receiving’, a Tibetan Buddhist practice of exchanging self with other. This is a wonderful compassion practice to engage during times of collective pain and grief.

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Retreat
Feb
27
to Mar 1

Retreat

Retreat

Buddhism Beyond the Basics

Feb 27- March 1

Oxbow School of Art, Saugatuck, MI

Once you are acquainted with the Basics of Buddhism (Four Noble Truths, Noble Eightfold Path, Impermanence, Suffering) it is time to encounter the next level of Buddhist Teachings.  These teachings point us towards the truth of reality. 

This retreat will focus specifically on those teachings that demonstrate the Buddhist view of reality.  Topics to be covered are: Buddhist view of personhood and personality (No-Self and the Skandhas), Interdependence, Dependent Origination, Karma, and Merit.

The retreat is structured so that there will be teachings, meditations, discussions, and questions and answer periods.  There will also be opportunities to meet with the teacher.

Retreat teacher: The Venerable Deokwun is an ordained Bhikkhu (Buddhist Monk) in the Korean Zen Tradition. He has also trained in the Tibetan Dzogchen practice. He is the founding teacher of the Grand Rapids Buddhist Temple and Zen Center. In addition, he is a certified Enneagram teacher. Prior to becoming a monk he was a college professor, high school teacher, lawyer, and Naval Officer. He holds degrees from Bodang University (Thailand) in Buddhist studies, Rowan University (New Jersey) and the Marshall-Wythe School of Law of the College of William and Mary (Virginia). He is the author of two books: Is it Buddhism---12 Questions Every Seeker Should Ask; and The Circle of Wonder: Reflections on The Silent Illumination. He is one of only a handful of Western monks to receive the highest level of ordination in the Korean Zen tradition. His primary area of focus as a teacher is making the teachings of the Buddha accessible and relevant to our everyday lives with an emphasis on mindfulness, compassionate living, selfless giving. 

OXBOW School of Art and Artist Residency is located on approximately 100 acres of pristine forest on a lagoon along Lake Michigan. The painting studio on the lagoon becomes our practice space. Please join us in this beautiful setting if you can. Limited partial scholarships are available.

Retreat costs: $400. Includes private room and all meals. Meals are vegetarian with vegan options.

To register: contact Ven. Lianghua Su Jill Eggers by phone or email. jilleggers9@gmail.com; 616 308-8023.

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New Year's Silent Meditation
Dec
31
to Jan 2

New Year's Silent Meditation

New Year’s

Silent Meditation Practice

in honor of the awakening of the historical Buddha

all are welcome for morning and evening silent meditation sessions in the Dharma Studio, Dec 31-Jan 2. 

According to Buddhist lore, on the 8th day of the 12th lunar month, Shakyamuni Buddha experienced Enlightenment when he saw the morning star rise, after 7 days & nights of sincere yet arduous meditation. This Year, that morning falls on January 2. 

Buddhist practitioners around the world honor this time each year through retreats & intensive practice.  At the Dharma studio we will have silent periods of daily meditation sessions for three days, ending in the final morning of Jan 2.*  Please join us for any or all of these sessions. 

Each session consists of two periods of meditation, 50 min each, with a break in between.

 Schedule and etiquette for meditations 

Tuesday, Dec 31: 7-9 pm.

Wednesday, Jan. 1: 7-9 am

Wednesday Jan 1: 7-9 pm

Thursday, Jan 2, Morning of Buddha’s awakening: 6-8 am followed by tea 

Please observe complete silence once you arrive. Make sure your cell phones is silenced and or turned off.

You may enter or leave before or after any session

Doors open 30 minutes early with tea available at the big table.

Please arrive on time to park and get settled before the session begins.

Hang coats and hats on the coat rack outside the studio, and leave shoes neatly on the rug outside. Please leave purses safely just inside the studio. Do not eat or drink in the studio during sessions. 

During a meditation session, you may leave the studio to use the restroom down the hall. 

Stools, benches, and meditation mats are available. 

The meditation sessions will be 50 minutes with no instruction. 

There is no charge to participate.

The Dharma Studio is located in Suite 340 at 1111 Godfrey SW. Please contact Lianghua Su Jill Eggers at jilleggers9@gmail.com, or 616 308-8023, with any questions. 

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Weekly: Tuesdays with Sokukoji Buddhist Temple Monastery
Nov
26
6:00 PM18:00

Weekly: Tuesdays with Sokukoji Buddhist Temple Monastery

Meditation and discussion lead by monks from the Sokukoji Buddhist Temple Monastery. Every Tuesday evening.

 Also, on the first Tuesday of each month, Meditation, Dharma talk and question and answer session with Sokukoji Abbot Sokuzan gives a dharma talk and question and answer session following mediation. Individual meetings (dokusan) with Sokuzan are also available on these nights. In December, Sokuzan will visit the second Tuesday—Dec 10—because Sokukoji Monastery will be in retreat Dec 1-8. (Contact the monastery if you are interested in attending all or part of the retreat.)

 Fee: Free, but dana (donation) in support of Sokukoji Monastery welcome.

In the Dharma Studio, Suite 340, 1111 Godfrey, Grand Rapids, MI.

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Practicing Living, Practicing Dying:  Dharma Art Fall Series
Sep
21
to Dec 14

Practicing Living, Practicing Dying: Dharma Art Fall Series

Practicing Dying, Practicing Living Unadorned Lotus Dharma Studio begins the fall season with a rather serious approach to art practice and Buddhist practice. Four art and meditation sessions in the Dharma Studio, working with Buddhist ideas and meditations related to death and dying. Looking closely at death can loosen our fear of death, strengthen our practice, and help us live more fully present, engaged lives.   These classes invite an intimate look at death and dying, working with traditional Buddhist meditations and teachings. Each class will include both meditation and art practice. No art experience or skill required. These four sessions will build on and relate with each other and as a series, but also work as single classes; you can come for all or just one or two.

Recommended reading: Joan Halifax, Being with Dying. Reading this book in conjunction with this series of classes will offer a greater depth of engagement with the practice.

In the Dharma Studio, Suite 340, 1111 Godfrey, Grand Rapids, MI. 49503.

10:00 am to 2:00 pm on the following Saturdays:

Sept 21: Impermanence: looking at the transient, evanescent, and inconstant nature of existence.

Oct 12:   The Nine Contemplations: a meditation on the inevitability of death and what is important to us in the light of our mortality.

Nov 16: A traditional Tibetan meditation on the Dissolution of the body. We will talk about Tibetan practices related to dying, practice this guided meditation, and then do an art practice in relation to our experience.

Dec 14: Living Fully: This precious human life—a look at the opportunities this life affords us, from a Buddhist perspective, and an examination, in art and meditation of how we can most fully engage in a meaningful life.

Requested Donation of $10 per class. Drop ins welcome but if you can, please register in advance so we can best accommodate you, by contacting Ven. Lianghua Su Jill eggers at jilleggers9@gmail.com, or text or call 616 308-8023. All classes begin promptly at 10:00 am so please allow time to arrive early and get settled in. Doors will be closed once meditation and class has begun.

Questions? Please call, text or email!  

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